{"id":803,"date":"2008-01-15T13:11:53","date_gmt":"2008-01-15T20:11:53","guid":{"rendered":"http:\/\/www.filmforno.com\/?p=803"},"modified":"2008-01-15T15:46:16","modified_gmt":"2008-01-15T22:46:16","slug":"val-lewton-cat-people-martin-scorsesce","status":"publish","type":"post","link":"http:\/\/www.filmforno.com\/?p=803","title":{"rendered":"Val Lewton, Cat People, Martin Scorsesce"},"content":{"rendered":"<p align=\"center\"><a href='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/1lewtonlaughs.jpg' title='1lewtonlaughs.jpg'><img src='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/1lewtonlaughs.jpg' alt='1lewtonlaughs.jpg' \/><\/a><\/p>\n<p>Martin Scorsesce produced and narrated a film about producer Val Lewton, <em>Val Lewton: The Man In the Shadows<\/em>. It&#8217;s very good and it&#8217;s great to see an under appreciated filmmaker get his due. TCM showed a lot of Lewton&#8217;s work, especially the RKO stuff, to complement the premier of this documentary, directed by Kent Jones by the way. So much has been written about Lewton&#8217;s films, I don&#8217;t want to repeat what&#8217;s already been said but let me throw my 2 cents in. His work especially with Touneur, wise and Robson was so subtle and atmospheric, so artfully made (Nicholas Musuraca\t is one of the all time masters of B&#038;W cinematography, check out <em>Out Of The Past<\/em> and Albert S. D&#8217;Agostino , one of the greatest Production Designers ever to put a fountain on a set) There&#8217;s nothing today that compares with this quality filmmaking! Nothing!<br \/>\n<a href='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/catt.jpg' title='catt.jpg'><img src='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/catt.jpg' alt='catt.jpg' \/><\/a><\/p>\n<p> And here&#8217;s something I noticed in <em>Cat People<\/em>. There is a transitional device almost like a fade to black and back but it&#8217;s not, it&#8217;s an optical that mimics a shadow passing in front of the camera, like a black panther wiping the lens. I&#8217;ve never seen this technique used elsewhere and I&#8217;ve never heard mention of it made by anyone. It is very subtle and because it&#8217;s used to transition from one scene to another it&#8217;s accepted as a typical fade in\/out yet it creates a sense of unease that sneaks up on you, just like the rest of the film. It slowly wraps you up in a fog of suspense so suddenly you realize you&#8217;re lost, in a dark place at night and something may be following you. The documentary also tells you how hard Lewton worked. He killed himself making these films for unappreciative assholes. It&#8217;s just not right. And then Mark Robson, the editor he promoted to director, at great personal cost, screws him out of a partnership with Robert Wise and himself! They don&#8217;t give the details in the documentary but it certainly makes Mr. Robson look like a scumbag. By the way this review is part of the Val Lewton Blogathon, hosted by <a href=\"http:\/\/theeveningclass.blogspot.com\/2008\/01\/val-lewton-blogathon.html\">The Evening Class<\/a>.<br \/>\n<a href='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/1lewtoncatirinaspot.jpg' title='1lewtoncatirinaspot.jpg'><img src='http:\/\/filmforno.com\/wordpress\/wp-content\/uploads\/2008\/01\/1lewtoncatirinaspot.jpg' alt='1lewtoncatirinaspot.jpg' \/><\/a><\/p>\n<p align=\"center\"><em>How could you do it, Mark Robson?<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martin Scorsesce produced and narrated a film about producer Val Lewton, Val Lewton: The Man In the Shadows. It&#8217;s very good and it&#8217;s great to see an under appreciated filmmaker get his due. TCM showed a lot of Lewton&#8217;s work, especially the RKO stuff, to complement the premier of this documentary, directed by Kent Jones [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,12,28],"tags":[],"_links":{"self":[{"href":"http:\/\/www.filmforno.com\/index.php?rest_route=\/wp\/v2\/posts\/803"}],"collection":[{"href":"http:\/\/www.filmforno.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmforno.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmforno.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmforno.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=803"}],"version-history":[{"count":0,"href":"http:\/\/www.filmforno.com\/index.php?rest_route=\/wp\/v2\/posts\/803\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.filmforno.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmforno.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=803"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmforno.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}