Here is an amazing early film produced by the Edison Company , directed by James Searl Dawley and starring future iconic director D.W. Griffith!
DW Griffith
What a chockfull package of early film history! Oh and I almost forgot, photographed by Edwin S. Porter, the man who would go on to make the classic, The Great Train Robbery! Wow!
Edwin S. Porter
Still From The Great Train Robbery
Dawley was an incredibly prolific filmmaker, writer, actor, genius, who made over 399 short films and 50 features, including the first filmed version of Frankenstein, which he also adapted for the screen from Mary Shelly’s novel.
Dawley’s Frankenstein
The thing I immediately noticed about Rescued From An Eagle’s Nest though is the resemblance to the scene in King Kong where Fay Wray, in Kong’s mountain top lair, is grabbed by a Pterodactyl and recued by Kong.
The King!
I can imagine Ernest Schoedsack or Merrian C. Cooper or maybe Willis O’Brien having seen this film as a young impressionable person and repeating the scene or paying homage if you will. But watch the film , it is very cool and see if it reminds you of Kong. Also I thought of the scene where Jack Driscoll climbs down a vine into a ravine to escape Kong as the other sailors are shaken from a log bridge, so the Kong connection is strong.
My dear friend, the super talented Joe Montgomery has passed on to the next dimension. I met him back in 1996. We were introduced by Bob Downey and we worked on a crazy project called Inventors Friend. Then we did Hugo Pool for Bob. Joe was the DP and I was the Editor. Joe loved to quote Bob, ” All I need is two Joes and a million bucks to make a film.” Joe was also a Jazz trumpeter, mountain climber, adventurer. He found a mummy on a mountaintop for National Geographic. His amazing accomplishments and stories could fill several books. He shot my film One Night With You and I couldn’t have done it without him. Here is a short film showing Joe setting up our Poor Mans Process shot so you can see him in action.
Toniono Cervi’s Queens of Evil starring Ray Lovelock is a crazy cool take on a Fairy Tale .
Kind of like a hippie Hansel and Gretel setup with sex instead of gingerbread and early 70’s Italian set design. Great camera work by Enrico Lucidi (OK maybe a few zooms too many but it was 1970!) and an incredible score by Angelo Francesco Lavagnino! Super cool, demonic chanting, jazz harpsichords and I think Edda del Orso doing her demented child voice, ala Morricone’s scores for Argento. A terrific score! Ray Lovelock sings the title song which he wrote as well. The acting is all good. Ida Galli, Slvia Monti, and Haydee Politoff are the three witches of the title and they deliver a combination of weirdness, sexiness, evil, violence, and Italian style, check out the wigs these three evil chicks wear if you want to have your mind blown. It has so many artistic touches, including a proliferation of red flowers on a grave, for what reason? Who can say.
A surreal dream sequence, a house in the middle of the woods, a spooky castle. It’s like Rosemary’s Baby on Acid. Just check it out for yourself, Go to You tube and look up Ray Lovelock films and you’ll find it. I can’t post it here for some reason. Unfortunately it’s dubbed in English I would have preferred it in Italian but what can you do it’s free.
I just watched Faust again last night. I bought the BluRay put out by Kino and it looks terrific. You can really appreciate the time, effort and artistry put into making this film. UFA gave Murnau unlimited money and time to make the best film he could. He succeeded marvelously. The imagery is superb.
So many amazing miniatures were built, especially memorable is where Mephisto looms over the city and the flying POV over mountains and water, a huge miniature filmed with a camera on a small rollercoaster track. When Faust summons Mephisto rings of fire rise up around him, this same effect was used later by Fritz Lang in his epic Metropolis. Something I did not know, Murnau disliked the script he was given and secretly collaborated with Thea Von Harbou. She would later write Metropolis and Marry fritz Lang!
There are other parallels with Metropolis, the biggest one being burning the woman at the stake as the climax of the film. The lighting is amazing as well. The sets beautiful. Back then they could not make dupe negatives of good quality so they filmed with 2 cameras and did alternate takes for different world markets. I think there were 7 complete negative versos of Faust from which they struck the hundreds of prints for distribution. It is incredible to think that a hand cranked little machine ( the early motion picture camera) could create such sensations in millions of people. It is almost like Magic or witchcraft. Incredible. I also noticed for the first time that William Dieterle was in the cast. No wonder he became such an amazing director. Working for Murnau, learning everything from such a maestro. Check out his films, especially Portrait Of Jenny.
In any case watch Faust, get the Blurry, it’s worth it and experience one of the most influential films ever made. I mean this and Nosferatu are maybe the 2 most influential films made by the same director.
Here on You tube you can watch the whole Let’s Get Lost, a beautiful documentary on the late great musician Chet Baker. Made by the great photographer Bruce Weber, this film is a minor masterpiece. Edited beautifully by Angelo Corrao, it is a real pleasure to watch. When I lived in NYC I was friends with a wonderful guy named Leo Mitchell, a jazz drummer, he always wanted to play Rock and Roll music with me because he had grown up as a Jazz musician and never played straight ahead Rock. What a great guy. He toured with Chet Baker in Europe several times. Years later I asked my friend Jack Nitzsche about an album he had done with Chet Baker called A Taste Of Tequila” or something like that. He said “Don’t listen to that album. It’s horrible. Chet and I both needed the money.”
Here is a cool documentary, shot on the set of the seminal film Silent Running. I saw this in the theater when it came out and really enjoyed it. Ahead of it’s time, the environmental message that’s even more relevant today. Bruce Dern is great and the double amputees that play the robots are really cool. They’re all teenagers, who knew. I later worked with two key players from this film, Michael Cimino, who was one of the writers and John Dykstra a VFX supervisor. Anyway check it out and see the film!
I justwatchedAgnesVarda’s great documentary Black Panthers and was surprised to see the name Michel Hugo in the credits as one of the cameramen. I took a course in Cinematography he taught at the Hollywood Film School back in about 1977. He was a great guy. He shot a lot of cool movies including Jaques Demy’s Model Shop, a movie I love. I didn’t know this until today! Check out his credits! A lot of great films!
The great DP, Michel Hugo
Anyway here’s a clip from Black Panthers.
Andas an added bonus a sequencefrom Lions, Love, (Lies) Agnes Varda’s LA film. Some of the street signsare very close to my house. I love the way these French filmmakrers show Los Angeles, so dreamlike and so real.
Here is a beautifully shot low budget film, made in NYC in 1961. What amazing locations, check out Penn Station, an architectural marvel, before it was torn down to put the box of Madison Squarer Garden in it’s place. A real crime against humanity. This movie featurtes a ton of voice over by the great gravel throated Lionel Stander, who was in Once Upon A Time In The West and other cool films, like Unfaithfully Yours by Preston Sturis, and Cul de Sac by that perverted dwarf Roman Polanski.I think the VO was added later to help the film, I don’t think it was in the original script, there is a seperate credit for voice over writing. The Ending of this film is a classic, you have to see it, kind of reminiscent of the end of Truffaut’s Shoot The Piano Player.The director and Star of this film made another film after this called Pie In The Sky or Terror in the City. I havent seen it but I will be on the lookout for it. Then he went onto direct TV shows. Too Bad. The guy has real talent, he should have stayed in the Cinema. But we all have to make a living. So too bad.
I think there is a re-release of this film happening. I went to see it at Quentin Tarantino’s New Beverly on a double bill with Nighty Of The Hunter. First time I’ve been in a movie theater since the pandemic! Two great prints! They looked amazing! See it in 35mm if you are able. From the opening Out Of The Tunnel Birth sequence to the terrific ending, it’s worth it!
I read that they were re-releasing this film in a limited release,stating in NYC. So I figured I’dcheck it out. It is directed by Fransesco Rosi ,a very creative,political filmmaker. I’ve seen a few of his other films, Salvatore Giuliano, Hands Over The City, The Swindlers. All very good and all shot by the great camerman Gianni DeVenanzo. This one however was not.Gianni died unexpectedly at age 46,but his operator Pasqualino DeSantis did shoot this film.And he did a great job,beautiful. (In my opinion no one comes close to Gianni when it comes to moving the camera around moving protagonists,the sense of space you get is magical. )
Illustrious Corpses stars the great acor Lino Ventura,a real presence on the screen. He is a real movie star. He didn’t want to act,he had to be talked into it by his friend Jaques Becker for Touchez Pas La Grisbi. And it paid off very well for him and for us,the film watchers! So thanks Jaques Becker! Also on hand are Max Von Sydow and Fernando Rey, icons of Bergman and Bunuel. The great Piero Piccione provides the score and the editing is by Ruggerio Mastroianni, brother of Marcello! Anyway the entire movie is on Youtube. The only problem I had was with the sound level, it keeps changing, quiet for dialog, loud for musical sequences. But watch it! It is a great movie! I think my favorite of Rosi’s so far. I still have a lot of his films to see, a thought I find very reassuring.
Everyone equates Nosferatu with F.W. Murnau, one of the all time great directors, and they should. He brought the film to life in such a powerful way that it still lives today. 90% of films made back then are either gone or forgotten, probably more. But let’s give credit where it’s due, Albin Grau ,who produced the film through his short lived company Prana Films also thought up the concept and designed the film. Here are some amazing images he created.
Albin Grau
F.W.Murnau
Pretty Damn Cool! You can see he was a huge part ofthe stylization,imagecreation,atmosphere,everything.Murnau ,being the supreme film artist that he was, created the celluloid realizations of these images, plus he shot on location which gave the film more reality, making it scarier.
Bram Stoker’s widow sued and won a copyright infringement lawsuit, she tried to have every copy of the film destroyed. And she almost succeded! Luckily for us a few prints and a negative escaped destruction. But Prana films was kaput! Albin Grau was forced to declare bankruptcy even though the film was a hit. The curse of Nosferatu continued with the tragic early death of Murnau in a car crash in California on the deadly Pacific Coast Highway. Years later his skull was stolen from his grave, presumably by some Satanists. Berg moved to Switzerland and worked as a graphic artist. Here’s a trailer from the restored version, so you can appreciate the beauty of Fritz Arno Wagner’s cinematography.
I just happened upon this on YouTube last night. One of the best TV Movies ever made! Super influential! X-Files Creator Christopher Carter sites it as a major influence. Written by Genius Richard Mathesson, he wrote the book Psycho was adapted from, The Incredible Shrinking Man, Trilogy of Terror, many TYwilight Zones, The Last Man On Earth, which has been adapted many times. The list goes on and on. A big part of why this movie is so good, Plus a great cast, Darren McGaven, Carole Lynley, Ralph Meeker, Charles McGraw, Simon Oakland, Claude Akins and Elisha Cook Jr. Some icons of Classic Film Noir. And an incredible score, kind of Dirty Harryesque, really cool. And I must say some really terrific stunt work! Makes it all seem belivable. Many Years ago I took a Cinematography class at the Hollywood Film School, kind of a low budget AFI on Hollywood Blvd. It was taught by Michel Hugo, the guy who shot tyhis masterpiece. A very nice Frenchman and an excellent cameraman. Anyway check it out, a real blast from the past.
They have released a new transfer of Sergio Leone’s Masterpiece The Good, The Bad and the Ugly in 4K! This film deserves it! One of the greatest films ever made. And Ennio Morricone’s magnificent score accompanying these hi rez visuals is a delight for any lover of Cinema. Be sure to pay close attention to the title sequence as this is the best it has ever looked on something you can watch at home. In all honesty some of the exteriors were a bit bright for my taste but you judge for yourself. I did think the final duel was spot on. Really looked great. So here it is from youtube. Check it out.