Queens of Evil

Written by Joe D on November 8th, 2023

Toniono Cervi’s Queens of Evil starring Ray Lovelock is a crazy cool take on a  Fairy Tale .

 

Kind of like a hippie Hansel and Gretel setup with sex instead of gingerbread and early 70’s  Italian set design. Great camera work by Enrico Lucidi (OK maybe a few zooms too many but it was 1970!) and an incredible score by Angelo Francesco Lavagnino! Super cool, demonic chanting, jazz harpsichords and I think Edda del Orso doing her demented child voice, ala Morricone’s scores for Argento. A terrific score! Ray Lovelock sings the title song which he wrote as well.  The acting is all good. Ida Galli, Slvia Monti, and Haydee Politoff are the three witches of the title and they deliver a combination of weirdness, sexiness, evil, violence, and Italian style,  check out the wigs these three evil chicks wear if you want to have your mind blown. It has so many artistic touches, including a proliferation of red flowers on a grave, for what reason? Who can say.

A surreal dream sequence, a house in the middle of the woods, a spooky castle. It’s like Rosemary’s Baby on Acid. Just check it out for yourself, Go to You tube and look up Ray Lovelock films and you’ll find it. I can’t post it here for some reason. Unfortunately it’s dubbed in English I would have preferred it in Italian but what can you do it’s free.

 

 

William Friedkin’s CRUISING

Written by Joe D on September 22nd, 2023

I am going to go out on a limb here and say I think CRUISING is William Friedkin’d best film. I saw it in a theater just off Times Square back in 1982 or so. I had just started a job as an assistant editor, the editor I was working for, Bud Smith, told me it was playing and I should go see it. So I did. At the time I was creeped out by the film and the creepy forty deuce theater I saw it in. I thought it was confusing, I did not get it. I was in awe of some of the visuals, powerful images , shadows, dead bodies, a Blue Arch in Central Park at night. But I didn’t think it worked. I recently rewatched it and I had a revelation, the filmmaking is top notch! The camera work, editing and score( by my old friend Jack Nitzsche) are all great. The plot is bizarre, but now I think it is genius in a David Lynch kind of way.

The first victim comes back to life to murder the second victim. All the killers are dubbed by the REAL KILLER’s father. Who exists only in the mind of his son, having died years earlier. And when the REAL KILLER is being interrogated, he says in his fathers dubbed voice “I didn’t kill anyone” . this is all subversive filmmaking of the highest order. What does it mean? Well, Friedkin was inspired to make this film by talking to a real killer in jail for murder. This guy had appeared in a small role in THE EXORCIST. He played an X-Ray technician. He told Friedkin that the cops said they would go easy on him if he confessed to a whole string of gay murders, even though he only recalled doing one of them. I’m sure this got Friedkin thinking, do we ever know the truth about these things. Are they more complicated than we realize? Are people influenced by other forces when they commit these horrifying crimes? I think he found a creative way to explore this ambiguity, uncertainty. The film had such a negative backlash, mainly due to protests by the gay community in NYC, but none of them had seen the film. They were reacting to a film about gay people being murdered. The S&M gay community supported the film and a lot of them appeared in it.

 

I actually think the film was a step forward in the Cinematic treatment of gay people. There are scenes in leather bars, S&M clubs, extreme sexual things are happening but you never feel they are being judged in any way. No one is saying “That’s bad!” or “That’s disgusting!”Friedkins cameras are in documentary mode. He’s showing us what goes on behind these doors but not making any judgement calls. Also in so many “Straight” horror films , people have sex and are then slaughtered by a monster , the Puritanical result of out of wedlock fornication. Here gay people are given the same treatment. So they are being treated exactly the same as straight people. All in all I think this film represents a big step forward in portraying gay characters.

The film opens with two incredible poetic images, Hi-Con Black and White shots of iconic images from the film, one is a crowd of leather clad club goers outside of The Mineshaft, the other is Pacino in Central Park standing in a stone archway. There’s no explanation as to why these images are here, but with the minimalist atmospheric score I find them enigmatic, compelling, in a word poetic. And that sets the stage for some great Cinema, offbeat, unorthodox. The murder scenes are gripping , the one in the Peep Show, that yes the projected porn as a visual element is Cinema of the highest order. There is even a subliminal ( 4 frame) cut of a penis slithering into a butt during the stabbing, Artfully done, it took me a couple of viewings to see it.

The soundtrack is amazing too. Great sound effects , great Foley of creaking leather, rattling chains, all kinds of strange atmospheric textures laid over the scenes in an incredible way. It makes the hairs on the back of your neck stand up. The score is great, iconic, Nietzsche recorded several bands for this movie including The Germs and Willie DeVille. He told me that Friedkin complained that he spent too much on the score. I guess because the movie did not do well at the Box Office. It’s really a shame that this film was so badly judged and received, mainly because of the protests, it had a negative publicity campaign before it came out. Some theaters even put up signs saying they were sorry they had to show the film, they didn’t want to but were contractually obligated to. It’s bad when things are judged by people that have not seen them or read them or heard them. Just attacking something based on a rumor, something they read, not making their own minds up about it. The film was a commercial flop. unfortunately because Friedkin should have continued in this vein of creativity. A sort of Metaphysical Thriller. He really forged a new style that he wound up abandoning in reaction to its reception. A Real Shame.

An often overlooked fact about this film and The Exorcist is that Bud Smith and Jack Nitzsche worked on both of them. Their contributions to both was inestimable in my opinion.  Bud met Jack while working on Bob Downey’s Greasers Palace, a psychedelic Western.

            Bud Smith

Denizen of the Midnight Movie Craze of the 60’s and 70’s along with El Topo, Fantastic Planet and Performance. (more on this film in a minute) Nitzsche started out as an arranger, the guy that wrote the parts for Phil Spector legendary Wall Of Sound. The Rolling Stones were enamored of this sound and sought Jack out. He collaborated with them on several songs and wound up scoring the Mick Jagger starring film Performance by Donald Cammel and Nick Roeg. An amazing score, one that supposedly Friedkin loved. Bud introduced Nitzsche to Friedkin and Jack along with his friend Ron Nagle recorded a lot of special sound effects for The Exorcist, rats running on sandpaper, crashing glass, glass harmonicas, bees in a jar. All kinds of exotic sounds. Then Bud would edit them into the film in a very creative unsettling subversive way.

                                                                                                       Jack Nitzsche

The combination was irresistible. Their collaboration on Cruising was just as powerful. They deserve so much credit for the atmosphere and unsettling nature of these films. Both masterpieces of sonic and Cinematic brain manipulation. Bravo!

My final thoughts on Cruising (at least for this write up) deal with the subject matter, Pure sex, pleasure uninhibited, no Catholic guilt, just raw experience, such a powerful force, that it’s been controlled by Laws, the Church, the Public Mores of Society, clamped down, repressed, locked away. Here is a film that exposes pure hedonism, pure freedom of personal sexual expression as the backdrop for a murder mystery, a detective film in a Meta universe where the dead can come back to life, in their own form and controlling the body of others. But not in a Supernatural Zombie vampire kind of way. In a freudian head trip kind of way. Psychological not Supernatural. A real mind bender.

Ernesto Gastaldi’s LIBIDO

Written by Joe D on January 24th, 2023

Here is a very cool 60’s B&W Giallo from one of the most talented and prolific screenwriters of Italian Cinema! Ernsto Gastaldi wrote screenplays for very amazing genre of the Golden Age of Italian Cinema! Peplum (aka Hercules, Maciste type historic films) Horror, Vampires, Westerns, Thrillers, Giallos, Science Fiction, you name it! Check out his IMDB page and prepare to be blown away. This thriller was co directed by Ernesto and Vittorio Salerno for almost no money! It features an unknown(at the time) Giancarlo Gianinni, appearing as John Charles John. Ernesto’s wife, the lovely Mara Gastaldi appears as Mara Maryl. This film was made to prove a theory that the two producers had a bet about, who makes a better film, a technician (like a cameraman for example) or a screenwriter. Ernesto won the bet. Featuring a great score by Carlo Rustichelli, a lovely Giallo! Here it is in the original Italian. There is also a BluRay version you can buy with a lot of extras.

Delia Derbyshire

Written by Joe D on December 17th, 2021

Here is a documentary about the amazing Delia Derbyshire, a pioneering electronic musician, probably best known for the Dr.Who theme. She never got official credit and therefore any music rights, i.e. money. She changed music.

Illustrious Corpses

Written by Joe D on October 9th, 2021

I read that they were re-releasing this film in a limited release,stating in NYC. So I figured I’dcheck it out. It is directed by Fransesco Rosi ,a very creative,political filmmaker. I’ve seen a few of his other films, Salvatore Giuliano, Hands Over The City, The Swindlers. All very good and all shot by the great camerman Gianni DeVenanzo. This one however was not.Gianni died unexpectedly at age 46,but his operator Pasqualino DeSantis did shoot this film.And he did a great job,beautiful. (In my opinion no one comes close to Gianni when it comes to moving the camera around moving protagonists,the sense of space you get is magical. )

Illustrious Corpses stars the great acor Lino Ventura,a real presence on the screen. He is a real movie star. He didn’t want to act,he had to be talked into it by his friend Jaques Becker for Touchez Pas La Grisbi. And it paid off very well for him and for us,the film watchers! So thanks Jaques Becker! Also on hand are Max Von Sydow and Fernando Rey, icons of Bergman and Bunuel.  The great Piero Piccione provides the score and the editing is by Ruggerio Mastroianni, brother of Marcello! Anyway the entire movie is on Youtube. The only problem I had was with the sound level, it keeps changing, quiet for dialog, loud for musical sequences. But watch it! It is a great movie! I think my favorite of Rosi’s so far. I still have a lot of his films to see, a thought I find very reassuring.

Alice Coltrane

Written by Joe D on October 4th, 2021

Here is a video of the great Alice Coltrane playing her harp, which her husband John Coltrane gave her. It cost &50,000, some of his profits from A Love Supreme. Alice is ba spiritual musical master, she forged her own direction in music and founded an Ashram in Los Angeles. An amazing woman and a great artist. She is also the great aunt of contemporary musicia Flying Lotus. Check out her albums, she had a long creative history with Pharoah Sanders as well, another giant on the jazz scene.

Kolchak The Night Stalker

Written by Joe D on September 1st, 2021

I just happened upon this on YouTube last night. One of the best TV Movies ever made! Super influential! X-Files Creator Christopher Carter sites it as a major influence. Written by Genius Richard Mathesson, he wrote the book Psycho was adapted from, The Incredible Shrinking Man, Trilogy of Terror, many TYwilight Zones, The Last Man On Earth, which has been adapted many times. The list goes on and on. A big part of why this movie is so good, Plus a great cast, Darren McGaven, Carole Lynley, Ralph Meeker, Charles McGraw, Simon Oakland, Claude Akins and Elisha Cook Jr. Some icons of Classic Film Noir. And an incredible score, kind of Dirty Harryesque, really cool. And I must say some really terrific stunt work! Makes it all seem belivable.  Many Years ago I took a Cinematography class at the Hollywood Film School, kind of a low budget AFI on Hollywood Blvd. It was taught by Michel Hugo, the guy who shot tyhis masterpiece. A very nice Frenchman and an excellent cameraman. Anyway check it out, a real blast from the past.

The Sunchaser

Written by Joe D on May 27th, 2021

Here is one of my favorite scenes from The Sunchaser, a movie I edited for Michael Cimino. This was the last film I edited on film, in 35mm on a KEM editing machine, with splicing tape! It was a lot of work. But I did get to work with some amazing talents, Woody, Jon Seda, Anne Bancroft, Maurice Jarre, Michael Cimino. PS The whole part of them following the hawk to the sacred mountain was created by me. Wasn’t shot that way or in the script, I did it all in editing.  Thanks to the person who put this clip up, and if any of you are interested in watching the entire movie please make sure to get the Scope version not the square 4X3 that they put out. It’s a totally different experience.

GBU IN 4K!

Written by Joe D on May 18th, 2021

They have released a new transfer of Sergio Leone’s Masterpiece  The Good, The Bad and the Ugly in 4K! This film deserves it! One of the greatest films ever made. And Ennio Morricone’s magnificent score accompanying these hi rez visuals is a delight for any lover of Cinema. Be sure to pay close attention to the title sequence as this is the best it has ever looked on something you can watch at home. In all honesty some of the exteriors were a bit bright for my taste but you judge for yourself. I did think the final duel was spot on. Really looked great. So here it is from youtube. Check it out.

Tangerine Dream, Sorcerer, Wages Of Fear

Written by Joe D on April 5th, 2021

Here is a clip of the great synth band Tangerine Dream playing at Coventry Cathedral. They really made a big impact and did a lot of film scores as well. Including the score for a great film, William Friedkin’s Sorcere. My pal Bud Smith edited the film and also edited the trailer to their music. Sorcerer based on Clouzout’s Wages Of Fear. another great movie worth checking out. Check it out.

Radley Metzger’s The Lickerish Quartet, Music by Stelvio Cipriani

Written by Joe D on April 1st, 2021

 

Here is a scene from The Lickerish Quartet, featuring a score by the great Stelvio Cipriani,what a genius! When I was working with Quentin Tarantino he sent us some autographed CDS of his music. Thanks again Stelvio! Enjoy this time travel to a more innocent sensual universe.

The Baroness and The Jazz Genius

Written by Joe D on February 10th, 2021

Here is a cool BBC Jazz film made by the grand niece of thr Baroness Pannonica de Koenigswarter, Hannah Rothschild. She did a beautiful job in telling the story of their friendship. Monk suffered from” mental illness”. In West Africa he would have been a shaman, inother cultures what we look at as illness is seen as a special talent to communicate with the Spirit World. Who’s right? You decide. Anyway check out this cool film.

Charlie Parker and the baroness, 1955