Tangerine Dream, Sorcerer, Wages Of Fear

Written by Joe D on April 5th, 2021

Here is a clip of the great synth band Tangerine Dream playing at Coventry Cathedral. They really made a big impact and did a lot of film scores as well. Including the score for a great film, William Friedkin’s Sorcere. My pal Bud Smith edited the film and also edited the trailer to their music. Sorcerer based on Clouzout’s Wages Of Fear. another great movie worth checking out. Check it out.

Radley Metzger’s The Lickerish Quartet, Music by Stelvio Cipriani

Written by Joe D on April 1st, 2021

 

Here is a scene from The Lickerish Quartet, featuring a score by the great Stelvio Cipriani,what a genius! When I was working with Quentin Tarantino he sent us some autographed CDS of his music. Thanks again Stelvio! Enjoy this time travel to a more innocent sensual universe.

The Baroness and The Jazz Genius

Written by Joe D on February 10th, 2021

Here is a cool BBC Jazz film made by the grand niece of thr Baroness Pannonica de Koenigswarter, Hannah Rothschild. She did a beautiful job in telling the story of their friendship. Monk suffered from” mental illness”. In West Africa he would have been a shaman, inother cultures what we look at as illness is seen as a special talent to communicate with the Spirit World. Who’s right? You decide. Anyway check out this cool film.

Charlie Parker and the baroness, 1955

Ennio Morriconel

Written by Joe D on July 6th, 2020

The Maestro of Cinema Music has checked out of the Hotl Earth. He’s listening to the Music Of The Spheres from his Moon Base. Hobnobbing with Bernard Herrmann and Miklos Roza. The world has lost one of it’s greatest Cinematographic/Musical Treasures. A double blow to the sensitive beings on this spinning rock. Bless you Ennio for all the pleasure you gave people in the dark.

Serious Ennio,                                                                                                             With Sergio Leone

Cutural Impact of The Exorcist

Written by Joe D on April 22nd, 2019

I remember the insanity surrounding the release of The Exorcist. People waited in lines for hours to see any showing, midnight or 10 AM. I heard Warner Brothers had employees, who were heading home for the Holidays, hand carry prints to their local theaters. They were working round the clock to finish the film and make the Christmas Eve release. My pal Bud Smith edited the film, a magnificent job! My other friend, the late, great, Jack Nitzsche recorded special sound effects for the film, that add immensley to the experience. But here is a short documentary on the phenomenon of The Exorcist’s first release.

A Walk Through Old Warsaw

Written by Joe D on September 29th, 2018


Here is a beautiful short film that is really a showcase for it’s amazing electronic score. The music and organized sound is by the great Eugeniusz Rudnik, a veteran of The Polish Radio Experimental Studio (PRES), check out The Saragossa Manuscript with music by Penderecki, another alumnus. This film is gorgeous, shot in 35mm color (It looks like Technicolor to me) in an old city that still had it’s Eighteenth Century charm. I can’t embed it here but I can post this link. So click the magic portal and be transported to another world.

Le Gros et le maigre (The Fat and the Lean) – Roman Polanski – 1961

Written by Joe D on March 24th, 2016

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This is a great short by the ultra-talented Roman Polanski. It really demonstrates what an amazing physical actor he is, Chaplinesque. Featuring music by the super genius Krzysztof Komeda.

The Man Who Fell To Earth Soundtrack

Written by Joe D on February 2nd, 2016

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Here’s a great little documentary about the soundtrack to Nic Roeg’s The Man Who Fell To Earth starring David Bowie in his greatest role. I always really liked this soundtrack, John Phillips came through big time.

Video Essay: The Man Who Fell to Earth from Film Comment on Vimeo.

Fred Katz

Written by Joe D on September 15th, 2013

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Damn! I really wanted to write a fan letter to Fred Katz! What a genius! He just died at 94 years of age, he really crammed a lot into his stay here on planet Earth, Classical musician, Jazz musician, Composer, Ethnologist, child prodigy on two instruments, maybe the first guy to play Jazz Cello! I grew up digging his score to Corman/Griffith movies like Little Shop Of Horrors, a great score, quirky, idiosyncratic, unique just like the movie. There is really no other score like it that I can think of.  Plus he played with the great Chico Hamilton, he even appeared with Chico’s band in the sublime Sweet Smell Of Success ( a reference to the marijuana that features so prominently in the plot) .

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Then he switched gears and became a professor of Shamanism, Mysticism, Magick! I wish I had taken one of his courses, I wish I had met him and told him how great he was. Too lAte! But maybe up in Film Music Heaven Fred can hear my compliments, I hope so. Dear Fred You were a giant talent and enriched my existence through your music, Fare Thee Well.

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Bernard Herrmann, Super Genius

Written by Joe D on August 7th, 2012

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Recently a new list of the 50 greatest films ever made was complied by experts. Usurping the past favorite Citizen Kane was a newly elected film, Alfred Hitchcock’s Vertigo. Two undeniably great motion pictures that have something in common, both of them were scored by Bernard Herrmann! Herrmann had worked with Welles in Radio back in NYC and went to Hollywood with his Mercurey Theater compatriots.

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His first film score was Citizen Kane, his last was Taxi Driver, he died right after the Christmas Eve scoring session. The Taxi Driver score is one of the all time greats and it seemed Herrmann was heading into new uncharted waters with this score, if he had lived who knows what he would have come up with. The use of the harp and snare drum is so cool. I wonder if the snare was influenced by Gene Palma’s presence in the film, he is the Drummer Man, a fixture on midtown streets back in the 70’s, he’d call out the name of a jazz drummer “Louis Belson” and hit a representative lick.”Buddy Rich”, “Gene Krupa” one day his snare drum was stolen, he just played on a mailbox. NYC was full of characters back then.

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But here listen to Herrmann’s theme from VERTIGO.

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And here is the theme fromTAXI DRIVER.

Deadhead Miles

Written by Joe D on February 29th, 2012

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This is a film I’ve heard about for many years and now finally it can be seen, thanks to Netflix streaming. Written by the great Terrence Malick a couple years before he directed his masterpiece Badlands, Deadhead Miles is a paean to the open road, a picaresque tale of two and eventually one traveler. That one traveler is played by Alan Arkin, a terrific performance and one of the weirdest Southern accents ever. Arkin is the driver of the big rig of destiny. Beautiful cinematography, 35mm, rich color,awe inspiring landscapes, 1971 locations make this movie a kind of low ball visual feast. And a cool country music score, by Tom T. Hall. A great supporting cast, including some real gems.

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But the reason I knew about this movie is that a friend of mine worked on it. Bud Smith, great editor of such films as The Exorcist, Putney Swope, Cat People, Zoot Suit, Sorcerer, Personal Best and many other films, told me about his time on Deadhead Miles. Bud was hired to edit the film, he stayed in Los Angeles while the crew shot on location and sent the film back. Bud cut the film as it came in. At the end of the shoot the director took a few weeks off to recuperate from the rigors of a road movie. When he came into the editing room Bud was ready with his first cut of the movie. They screened it. The director said,” Can you take that all apart and put it back in dailies?” Bud said, ” You mean there’s nothing in there that you like?” ” Yes, that’s exactly what I mean.” “Well, I guess you got the wrong guy to work on your film.” And with that Bud left. Tony Bill , the producer, wisely duped Bud’s cut before having it disassembled and after a little while Mr. Bill fired the director. The new editor used Bud’s original cut for a lot of the film which then languished in obscurity until now. So check it out, a unique film.

Farewell Johnny Otis!

Written by Joe D on January 19th, 2012

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The great R&B music maven has passed on. Johnny Otis was a colossal influence on American music from the 40’s till now. He discovered many great talents and influenced, inspired many others. Like James The Godfather Of Soul” Brown who got his seminal funk guitar player, Jimmy Nolan, from Johnny’s band. Frank Zappa recalled going to Johnny’s Rock n’Roll shows at El Monte’s Legion Stadium. I always thought Zappa’s signature mustache was a nod to Johnny’s facial fuzz.

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Johnny with Don and Dewey, that’s Don SugarCane Harris on the left
When FZ was makingPeaches in Regalia he asked Johnny to get him Sugar Cane Harris to play on the album. Johnny did, although FZ had to pay SugarCane’s bail, and Johnny’s son Shuggie played on it as well. Zappa returned the favor by getting Johnny a contract with Kent records for his great Cold Shot album.

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Johnny with his son , incipient guitar genius Shuggie

Johnny was a white kid who grew up in a black neighborhood and basically lived as a black man. Black people assumed he was black, even my mailman, an ex-jazz drummer, told me that when he was a kid The Johnnie Otis TV show was the first time he saw black musicians on TV. Johnnie had a hit with Harlem Nocturne with his big band, then Willie and The Hand Jive with his Rock/ R&B outfit, and he would have been rich if he had gotten his fair share of Hound Dog, the original version of which he produced for Big Mama Thornton, but Leiber and Stoller ripped him off on a technicality. Farewell Great Johnny O, we all here on Earth will miss you but we’re all better off for your having been here.