Here’s a noir bombshell from1949. Byron Haskin directed it, he was a special effects guy at Warner Bros. and later directed The War Of The Worlds for George Pal. He also directed some of the best episode of The Outer Limits, Demon with A Glass Hand, and The Architects of Fear. Hunt Stromberg produced this “cookie full of Arsenic”. He had a long run as a successful producer at MGM, he came up under Thalberg and worked with Selznick, then he got into a beef with Louis B. Mayer and went independent. This is one of his independent creations. The script was by Roy Huggins, based on his novel and it’s a winner, great characters, excellent dialog, everything top notch except the very end, oh well. Huggins went on to be a giant among TV creators/Producers with such shows as The Fugitive, Run For Your Life and The Rockford Files.
But the real heroes of this opus are Lisabeth Scott as the one of the coldest killers ever to grace the silver screen and Dan Duryea, the slime king. Best known for slapping women onscreen, the poster for this film is Dan slapping Lisabeth! They marketed the film on his woman beater appeal.
I have a theory about noir, WWII is over, soldiers are returning home, a lot of G.I.s got Dear John letters, their wives left them while they were at war. Tokyo Rose would broadcast stories of infidelity by Statebound brides to the soldiers overseas. This led to the creation of the Noir Femme Fatale, the false female, who’ll smile , seduce, and kill without missing a beat, sure they can turn on the waterworks, shed tears at the drop of a hat, but underneath, all business. So here is the returning soldier’s nightmare come true. What’s the one thing a desperate soldier, far from home could think about to give himself some relief from killing, mayhem, explosions? Little Sally Jean, the girl he left swinging on the garden gate. What if Tokyo rose was right? She’s evil, corrupted. His dreams are all Lies! Well, here she is, the beautiful blonde with the morals of a scorpion. Lisabeth Scott is amazing in this film. She turns from a bitchy but seemingly happily married woman in an instant all because of money, the old do re mi, a lot of it that drops in her lap. I don’t want to ruin the story but there are some depraved scenes of her and Dan Duryea getting it on just because he can make her do it, they hate each other! It’s deliciously perverse! According to Eddie Muller, the czar of noir, almost all of the budget went to the two big stars, they were worth it!
It was later re-released under this title
So the production of the film was low budget, a lot of the action takes place in Scott’s apartment but it makes the film psycologically more real in a way. You feel trapped in that nest of evil. There are some scenes in Dan Duryea’s flop, it’s perfect as the dump a small time creepy crook would hang his hat in. Another couple of great locations are Union Station, maybe the most beautiful building still left in L.A. and the lake at McArthur Park, called WestLake Park in the movie. A one time high rent district that’s now kind of funky. Silent Film director William Desmond Taylor was murdered in his bungalow just around the corner. Anyway the film is in poor shape, Eddie’s Noir Foundation did a restoration with UCLA but I don’t think that’s out on video yet so you have to make do with what’s available. But next time it screens at the Noir Festival, I will be there.
Here’s the best looking Youtube version I could find.