Here is an amazing early film produced by the Edison Company , directed by James Searl Dawley and starring future iconic director D.W. Griffith!
DW Griffith
What a chockfull package of early film history! Oh and I almost forgot, photographed by Edwin S. Porter, the man who would go on to make the classic, The Great Train Robbery! Wow!
Edwin S. Porter
Still From The Great Train Robbery
Dawley was an incredibly prolific filmmaker, writer, actor, genius, who made over 399 short films and 50 features, including the first filmed version of Frankenstein, which he also adapted for the screen from Mary Shelly’s novel.
Dawley’s Frankenstein
The thing I immediately noticed about Rescued From An Eagle’s Nest though is the resemblance to the scene in King Kong where Fay Wray, in Kong’s mountain top lair, is grabbed by a Pterodactyl and recued by Kong.
The King!
I can imagine Ernest Schoedsack or Merrian C. Cooper or maybe Willis O’Brien having seen this film as a young impressionable person and repeating the scene or paying homage if you will. But watch the film , it is very cool and see if it reminds you of Kong. Also I thought of the scene where Jack Driscoll climbs down a vine into a ravine to escape Kong as the other sailors are shaken from a log bridge, so the Kong connection is strong.
This is a super creative wacky film. I really enjoyed it. Sot on 16mm and dubbed just like the Spaghetti Westerns of yesteryear. I love films that don’t have a big budget and are creativity to overcome any limitations. A lot of this film looks like Stop Motion but I’m not sure if it is, I think it is but…
The Stop Mption parts have a kind of jittery movement that is very cool. It could be Stop Motion and green screen? Anyway super creative filmmaking. I recommend it. I saw another of Miguel Llanso’s films that I liked a lot as well, it’s called CRUMBS. It features the same great lead actor, Daniel Tadesse.
Working on equipment developed by his bother John, Jams Whitney created this mesmerizing trance inducing film bar in 1966. John was a pioneer in computer animation, using WWII trajectory plotting machines for filmmaking. He acquired these devices after the War as surplus therefore inexpensive. The abstract animation movement really took off then with people like Jordan Belson, Harry Smith, Hy Hirsch, and many others. Oskar Fischinger was one of the grandaddies of the genre along with people like Viking Eggling and Hans Richter. Anyway check out this film. Try to see a better quality version, projected on film if possible to really experience it.
Here is a surreal Fairy Tale in Stop motion Claymation that freaked me out as a young kid. Gumby always had elements of strangeness. There’s one about Indians thats also pretty deep. These were made by Art Clokey, who I hear tell, dropped LSD and became a free love hippie type , abandoning his middle class family and chasing teen aged chicks, at least so the legend goes.
Sneaky Pete Kleinow
One of the animators on Gumby was the amazing Sneaky Pete Kleinow, who later went on to animate the Terminator metal monster in the first Terminator film. He also did the Pilsbury dough Boy, Poppin Fresh, a lot of commercials. But he was also an amazing pedal steel guitar player! Check out his playing on Frank Zappas Waka Jawaka album, Outstanding. And he played on a lot of C&W records, plus he was a member of the Flying Burrito Brothers. What an unsung genius!
Henry Jacobs and Jordan Belson at the Morrison Planetarium, 1959.
Here is a sample of the mystical filmmaking of Jordan Belson. Many think of him as trhe father of the 60’s psychedelic light shows, he put on a series of Abstract Visual Concerts at the Morrison Planetaium in 1957. Billed as the Vortex series, he collaborated with a sound Artist, Henry Jacobs, who played all kinds of World music, Music Concrete, Karlheinz Stockhausen, etc. I guess these concerts were too wild for the Planetarium and they stopped them. Belson began making films using his experience with the Light Shows as inspiration. I spoke to him on the telephone once many years ago at the behest of Harry Smith, another San Francisco based abstract filmmaker. Harry wanted me to have Belson send hi m some glass negatives of a series of Jazz paintings Harry did. These were Abstract Expressions of particular songs, like Bloomdido by Charlie Parker. Belson never sent the slides so I hope they are preserved somewhere and will be published one day. Anyway check this out and try to see his films projected in a theater. I saw them at the Anthology Film Archive in NYC. Now the Center For Visual Music, CVM is programming shows at museums around the world so keep your eyes open and go see them.
Special added Bonus Harry Smith’s Jazz painting of Dizzy Gillespie’s Manteca.
Here is an amazing film made in an optical printer by the talented Zbignew Rybczyński. I met him in NYC years ago , he had a company called 525. He was an early adopter of Hi Def video. But this was done on film.
Goback to your childhood, well, my childhood and check out the great cartoon Astro Boy! Created by the “Father of Manga” Osamu Tezuka. Astro boy appeared in comic form in 1952, he was called Mighty Atom in Japan. The animated series was started in 1963. He’s like a modern super powered Pinocchio. So check him out!
My dear friend Pablo Ferro passed away last night at the age of 83. He was the greatest, nicest guy. Super talented, he loved working, creating, doing incredible things.He was friend and collaborator to Stanley Kubrick, Hal Ashby, Bob Downey, Steve McQueen, Jeff Bridges, so many amazing people. He got me the job editing The Sunchaser for Michael Cimino and I tried to get him gigs whenever I could. Actually Pablo gave Cimino his start in filmmaking. He was a legend. So raise a glass to a departed genius. Here’s a taste of his crazy magic.
My dear friend Pablo Ferro passed away last night at the age of 83. He was the greatest, nicest guy. Super talented, he loved working, creating, doing incredible things.He was friend and collaborator to Stanley Kubrick, Hal Ashby, Bob Downey, Steve McQueen, Jeff Bridges, so many amazing people. He got me the job editing The Sunchaser for Michael Cimino and I tried to get him gigs whenever I could. Actually Pablo gave Cimino his start in filmmaking. He was a legend. So raise a glass to a departed genius. Here’s a taste of his crazy magic.